He believes the reconstruction of events leading up to the cancellation as the best way to explain what happened. The author states that the controversy began when the Air and Space Museum opened about twenty years earlier and came to a head in 1994 when five elements essential to the exhibition's success conflicted.This article provides an exceptionally detailed account of the controversy by describing the preparation of the exhibit, the origins and types of objections raised, subsequent revisions in the exhibit, and the decision to cancel it. He bemoans the lost opportunity to educate a vast audience about a defining moment in history, and suggests that the Smithsonian's Secretary and Board of Regents abandoned the planned exhibition for political reasons. The tone of this article is set at the beginning when the author characterizes the January 1995 cancellation of the original Enola Gay exhibition at the Smithsonian Institution's National Air and Space Museum as possibly the greatest tragedy to befall the public presentation of history in many years.
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